Bollywood Filmmaker Kanu Behl Takes a Stand Against Cinema Monopolies to Support Independent Films
In recent years, the landscape of Bollywood has undergone significant transformation, with the dominance of blockbuster films often overshadowing the vibrant world of independent and niche cinema. While mainstream Bollywood continues to draw massive audiences, many talented filmmakers producing unconventional stories face an uphill battle to secure their rightful place in theaters. A shining example of this struggle is Kanu Behl, a renowned director and voice of independent cinema, who recently took to social media to highlight the systemic challenges faced by small films like his latest project, Agra.
Kanu Behl’s Bold Protest: Raising Concerns Over Cinema Programming
On Thursday, November 13, Kanu Behl posted a candid message on his X (formerly Twitter) account, revealing that his film Agra had been denied adequate theatrical shows. His frustration stemmed from the industry’s prevailing trend where blockbuster films—what many refer to as ‘big blockbusters’—dictate screening schedules, leaving little room for independent cinema. Behl shared that his film was sidelined due to multiplex programming preferences favoring high-grossing commercial hits, which often pushes smaller films to the periphery.
To put this into perspective, on the morning of November 14—the day Agra was released—Kanu Behl uploaded a screenshot illustrating that his film was playing in just three cinemas across Mumbai, with only four shows scheduled. His caption, simply stating “slow claps,” captured the industry’s indifference and the uphill battle faced by independent filmmakers in India’s crowded cinema space.
The Industry Responds: Support from Bollywood’s Leading Voices
In response to Behl’s candid revelations, several prominent figures from Bollywood rallied behind him, emphasizing that this issue is emblematic of a broader systemic problem. Actor Manoj Bajpayee, actress Saiyami Kher, and veteran filmmaker Sudhir Mishra publicly voiced their support, calling attention to the unfair practices that hinder the growth of independent cinema. This united front signaled a crucial shift—independent filmmakers are no longer willing to remain silent about the monopolistic tendencies within Bollywood.
From Silence to Action: The Fight for Fair Representation in Cinemas
By November 15, thanks to Behl’s persistent advocacy, the number of shows for Agra in Mumbai increased to nine cinemas. While this was a significant improvement, Behl emphasized that the fight is far from over. During an exclusive interview with Bollywood Hungama, he detailed the challenges faced in securing screenings and the underlying issues plaguing the industry.
Understanding the Challenges: Monopolies and Programming Constraints
Behl explained, “We initially received a list of about 100 screens, but most belonged to the PVR Inox chain, and only nine were available to us. I insisted we focus on better cinemas, yet delays and non-responsiveness persisted. Eventually, we learned that all screening slots were allocated to bigger films, leaving no room for Agra.” He clarified that his concern isn’t about opposing specific films but about the systemic bias that favors commercial blockbusters at the expense of smaller projects.
He further pointed out the disparity in the number of screens—India boasts approximately 5,000 to 6,000 screens nationwide. Behl’s plea is straightforward: “We are not asking for hundreds of screens; just 100 good, accessible theaters at convenient times. If audiences get a chance to see Agra, positive word-of-mouth will help it find its audience organically.”
The Power of Social Media: A Catalyst for Change
Behl acknowledged that his social media activism played a vital role in garnering support and increasing the number of screenings. “Without those tweets, the number of shows might have been even lower,” he admitted. However, he also highlighted a bigger issue—a monopolistic hold by large multiplex chains that dominate the industry, often sidelining independent films entirely.
Broader Implications: The Struggle of Independent Filmmakers in Bollywood
Behl’s fight echoes a larger concern shared by many in the independent filmmaking community. Films like All We Imagine As Light and Homebound have faced similar obstacles in securing theatrical releases, often being pushed to OTT platforms or shelved altogether. He emphasized that this isn’t just about his film or personal grievances but about preserving the diversity and richness of Bollywood cinema.
The OTT Dilemma: Fighting for Theatrical Space in a Streaming World
Some fans and netizens suggested releasing Agra directly on OTT platforms to bypass traditional cinemas. Behl responded passionately, explaining that even OTT rights aren’t a guaranteed solution. “The problem isn’t just about theaters; it’s also about the OTT space being controlled by a few powerful players. These platforms often dump independent films without promotion, making it nearly impossible for audiences to discover them,” he said.
He questioned the entire commercialization of Bollywood, asking, “When will we prioritize quality over quantity? When will the focus shift from chasing Rs. 100 crore or Rs. 1000 crore films to nurturing meaningful stories that reflect our culture and society?” His words resonate deeply in a time when commercial success often overshadows artistic integrity.
Moving Forward: Building a Collective Voice for Independent Cinema
Behl announced that he and other independent filmmakers are now uniting to advocate for fairer treatment within Bollywood. “We’re no longer willing to accept this status quo. It’s time to speak out collectively—there’s strength in numbers,” he declared. The movement aims to push for policies that ensure independent films receive their rightful share of theatrical screens, fostering a more diverse and vibrant Bollywood industry.
The Cultural Significance of Supporting Small Films
Supporting independent films like Agra isn’t just about business; it’s about cultural preservation. These films often explore nuanced social issues, regional stories, and experimental narratives that mainstream Bollywood tends to overlook. By giving them space in cinemas, Bollywood can truly reflect the diversity of Indian society and foster a more inclusive cinematic landscape.
Conclusion: A Call to Action for Bollywood and Its Audience
Kanu Behl’s courageous stand sheds light on the ongoing struggles faced by independent filmmakers in Bollywood. As the industry grapples with issues of monopoly, commercialization, and cultural erosion, voices like his are vital in initiating meaningful change. The journey to a more equitable cinematic space requires collective effort—from filmmakers, industry stakeholders, and audiences alike.
Ultimately, supporting independent films isn’t just about cinema; it’s about safeguarding the soul of Bollywood—a reflection of India’s rich, diverse, and vibrant culture. As Behl aptly puts it, “When we prioritize storytelling and cultural integrity over mere profits, Bollywood can truly flourish as a space for artistic expression and societal reflection.”
Stay tuned for more updates on this ongoing movement and how Bollywood is evolving to embrace all facets of its artistic community.
